An amazing performance by Lenny Breau of Georgia, from the Canadian CBC’s show ‘A Touch of Jazz’ in 1961. This is without a doubt one of my favourite performances – everything he plays is concise, considered and cleanly delivered. In spite of being recorded for TV, he’s still taking risks and pushing himself. Check out the beautiful ascending voicings at 1:28 for example. Again – the only flaw with this is that it’s just too short! Just 2 & a half choruses with a nice bluesy coda And that bridge – that’s the art of interpretation right there. George Colligan’s solo on “I’m Getting Sentiment Colligan’s 2-chorus piano solo from his 1999 album “Constant Source.” This track is incorrectly labeled “Flint Michigan,” another tune on the same album, on Spotify and YouTube. How to decrypt files. A nicely subversive arrangement of this AABA standard in F major, with odd time signature changes as well as a reharmonized bridge leading into a modulation to Db major for the third A section. Interestingly, the alto saxophonist Jon Gordon states the head for the first two A sections a semitone sharp, in Gb major, while the rest of the band is in F major. This post contains the following attachment types: -application/pdf. 'Sleeping Giant' by Herbie Hancock Here's a lead sheet for Herbie Hancock's 'Sleeping Giant'. The sample percussion pattern at the beginning is not transcribed from the actual recording, but proposed as a sample Afro 12/8 pattern. The metric feel of the piece is somewhat ambiguous; in some places I've written the 12/8 meter as 6/4, which are mathematically equal, although phrased differently. Libreoffice base inventory templates. Forge minecraft 1.4 7 download. How do you guys break this down? Best, Ville (Revised April 1, 2018) This post contains the following attachment types: -application/pdf. 'Believe You Me' by John Abercrombie Here's a lead sheet for John Abercrombie's 'Believe You Me', which is recorded on his ECM album 'Night'. The accompanying organ figure at letter B (AbMaj7#11 -> Bb6) is just my own interpretation derived from the comp figure at letter A (and intro). In my opinion the 2nd chord (DbMaj7#9#11) at letter C has a F harmonic minor flavor. How do you guys perceive this chord? Waltz for Debby Bill Evans Transcription based on the versions from 'Waltz for Debby' (1961) and 'New Jazz Conceptions' (1956), including. Bert Ligon has done this great transcriptions from Bill’s album ‘Eloquence. 5 Bill Evans transcriptions taken from the ‘Letter from Evans’ publications. My Romance Bill Evans TranscriptionPlease share your thoughts. Best, Ville This post contains the following attachment types: -application/pdf. 'Fun' by Miles Davis Miles Davis originally recorded this piece on January 11, 1968, and it wasn't released until 1981 as a part of compilation album 'Directions'. The tune is also recorded by Joe Chambers on his 1992 release 'Phantom of the City'. I didn't include any chord symbols here, but added sample chord voicings for a reference. (Herbie Hancock plays an electric harpsichord on the recording!) The given bass line is doubled by a guitar, and it continues for solos (with slight variation). Solos are based on the key of D major. Best, Ville This post contains the following attachment types: -application/pdf. 'Furs on Ice' by Marc Johnson This was rather demanding one to write down. I don't know if the given chords are dead-on, so all suggestions are appreciated. I listened to a few recordings of the piece (John Abercrombie's 'Getting There' and 'John Abercrombie / Marc Johnson / Peter Erskine', plus an instructional drum video by Peter Erskine available at which differed somewhat. The trio recordings don't have the tenor sax part, but abide by the rhythm section motives. Best, Ville This post contains the following attachment types: -application/pdf. Every Little Thing She Does Is Magic Brief piano transcription (or maybe gist version) of Every Little Thing She Does Is Magic for my niece - from the Ghost in the Machine by The Police. Always liked this tune, but Sting apparently brought it to the band pretty fully formed with a bunch of piano tracks. Copeland reportedly recorded the Police version drum track in one take, and Summers added a few distinctive guitar parts (including one that I bet you never caught in the mix, see multitrack files below) completing its conversion to a more Police-sounding tune. I guess that was all hinted at by the mixer 'fight scene' in the original music video. (on the recording, tuning is A = 450 Hz) This post contains the following attachment types: -application/pdf.
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